Cole Pulice is taking part in what seems to be a woodwind instrument. Nevertheless it’s truly a MIDI controller, turning all of the qualities that may inform the tone of a standard saxophone—breath management, finger positioning, and so forth—into knowledge. Their preliminary breaths turn into staccato digital blurts, the sound of a chiptune composer beginning to draft an 8-bit online game rating. As Pulice’s taking part in turns into extra concerned, their music jolts to life with a kaleidoscopic smear of ambient sound.
The 34-year-old musician is demonstrating this course of over a tangle of wires in an Oakland follow area, a mop of lengthy hair pulled loosely again from their face and chunky hoops hanging from their ears. Although they’re a blinding saxophonist, the community of cables, pedals, and synthesizers round them are as central to their latest information as any old style instrument.
Pulice is taking part in “HP / MP,” the opening monitor from Scry, their latest album of experimental jazz, which mixes conventional saxophone taking part in with digital psychedelia and passages of ambient music that sound as if Pulice carried out them from inside a cathedral of rose quartz. “I needed to lean into that ephemeral, fragmentary, dream-like surrealism of betweenness,” Pulice says. Their sonic landscapes might be meditative and peaceable or, like “HP / MP,” invigoratingly disorienting. Together with To Live & Die in Space & Time, their collaboration with synth artist Lynn Avery, Pulice was liable for two of 2022’s most interesting experimental information.
Pulice, who’s presently engaged on a PhD in cultural research and comparative literature, solutions questions thoughtfully, taking temporary pauses to completely contemplate what they need to say. Their composition course of is equally gradual, with improvisation adopted by deep reflection of what the music represents and communicates. As they tinkered with Scry, the album began to disclose itself as being autobiographical. “I used to be fascinated about gestures, states of being, and headspaces in lots of ways in which had been actually private,” they are saying. “Pre-pandemic, post-pandemic, shifting from Minneapolis to Oakland—it’s actually crystallizing what I’m working with proper now.”